Hamburger, James William Perry Jr., Ben Wolfe, Alphonse Chapanis, Henry Carrington Lancaster, Ernst Cloys Laurence Hall Fowler, Robert Lowell and Lowell Jacob Reed, Sheldon Keith Spalding (1957), Lyn D. His portraits made at Johns Hopkins include John Allen Austin, Harold Ingle, Arthur Oncken Lovejoy, Leo Spitzer, Alex Quiroga, Ferdinand J. In the collection of Johns Hopkins University are Mottar’s photographs of inventors and entrepreneurs, especially in the television industry, where he also photographed academics, campus views and student life, production of the JHU Science Review television program, and on one occasion, scenes of sixth-grade students using a mock-up television studio. Mottar's portraits preserve the appearance of many American academics and intellectuals, and some from Europe. ![]() He was represented in two additional exhibitions at the Museum of Modern Art MoMA Photographs from the Museum Collection, Novem– Januand 70 Photographers Look at New York, Novem– April 15, 1958. The Family of Man was seen by 9 million visitors worldwide and is now on show in perpetuity at Clervaux Castle in Luxembourg. His near-silhouette against blank sky of a dogman standing on a girder being lifted by a crane featured in the world-touring The Family of Man, cropped to a tight vertical and mounted floor-to-ceiling to cover an entire structural column in the exhibition space at the Museum of Modern Art showing January 24–May 8, 1955. Known for accepting dangerous and challenging architecture commissions, in 1959, he documented the building of the 28 Liberty Street, at one point assembling all of the construction workers (at a labour down-time cost of $10,000) for a multi-storey vertical panorama in which the grid structure of the steel and reinforced concrete facade of the skyscraper forms dozens of frames, each containing twenty or so cheering workers. Mottar produced photographs of major building projects, technology and industry and made portraits of major players. He was also commissioned for stories on celebrities for mass-circulation magazines such as LOOK and LIFE. Mottar', began his career as a staff photographer for The Baltimore Sun in the 1940s, and was invited to conduct a workshop in 1949 at the first Missouri Photo Workshop, before graduating to freelancer for business magazines including Fortune. Robert Mottar, often credited as 'Robert M. He lived in Los Angeles and Baltimore in the 1940s, and in Oregeval, Paris and New York during the 1950s. His mother remarried when Robert was about 10 or 11. ![]() He had a sister Bonnie Louise Mottar born August 16, 1915. 1889), a salesman for Squibb in Chicago and trustee of the University of Illinois. Robert Mottar was born in Springfield, Illinois on October 29, 1919, to Louise Ann Mottar (Lindrew) and University of Illinois Pharmacy graduate (1910) Samuel Mayo Mottar (b.
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